Squirrel's dance, 2022 Ceramic and Acrylic Gouache 16cm x 15cm x 1cm

Sprouting, 2022 Ceramic and Acrylic Gouache 15.3cm x 12.7cm x 1cm Sun's return, 2022 Ceramic and Acrylic Gouache 12.7cm x 7.6cm x 1cm

Slumber in the soil, 2022 Ceramic and Acrylic Gouache 17.8cm x 12.7cm x 1cm Flutter, 2022 Ceramic and Acrylic Gouache 12cm x 15.3cm x 1cm

Watering tree, 2022 Ceramic and Acrylic Gouache 12.7cm x 10.2cm x 1cm Beneath the leaf, 2022 Ceramic and Acrylic Gouache 16cm x 17.2cm x 1cm

Distance and time, 2016 Ceramic and Acrylic Gouache 55cm x 41cm x 1cm	Light form, 2016 Ceramic and Acrylic Gouache 44cm x 44cm x 1cm
Window of hesitation, 2016 Ceramic and Acrylic Gouache 38cm x 32cm x 1cm	Usagi, 2016 Ceramic and Acrylic Gouache 38cm x 33cm x 1cm
Cast a shadow, 2016 Ceramic and Acrylic Gouache 40cm x 30cm x 1cm	Meditative calm, sadness and reflection I, 2016 Ceramic and Acrylic Gouache 47cm x 31cm x 1cm
Meditative calm, sadness and reflection II, 2016 Ceramic and Acrylic Gouache 43cm x 30cm x 1cm	Meditative calm, sadness and reflection III, 2016 Ceramic and Acrylic Gouache 40cm x 30cm x 1cm
	Chains, 2016 Ceramic and Acrylic Gouache 50cm x 48cm x 1cm
All thoughts considered, 2016 (Detail) Ceramic and Acrylic Gouache 53cm x 48cm x 1cm	All thoughts considered, 2016 Ceramic and Acrylic Gouache 53cm x 48cm x 1cm
Personal effects I, 2016 Ceramic and Acrylic Gouache 48cm x 40cm x 1cm	Personal effects I, 2016 (Detail) Ceramic and Acrylic Gouache 48cm x 40cm x 1cm
From whose perspective ?, 2016 (Detail) Ceramic and Acrylic Gouache 58cm x 46cm x 1cm	From whose perspective ?, 2016 Ceramic and Acrylic Gouache 58cm x 46cm x 1cm
Equation for pet lizards, 2015 Sumi on paper 279mm x 381mm	Personal effects II, 2015 Sumi on paper 279mm x 381mm
Untitled, 2015 Sumi on paper 279mm x 381mm	Contour Study no.1, 2016 Watercolour and sumi on paper 300mm x 400mm
Flamingo's maze, 2015 Sumi on paper 279mm x 381mm
Formed by hand and sight, 2015 Sumi on paper 279mm x 381mm	Personal effects I, 2015 Sumi on paper 279mm x 381mm
Silent love songs, 2015 Sumi on paper 279mm x 381mm	Contour Study no.2, 2016 Watercolour and sumi on paper 300mm x 400mm
Portrait, 2016 Screenprint on paper 60cm x 46cm	Potion, 2015 Sumi on paper 279mm x 381mm
Big cat takes a rest, 2014 Sumi on paper 279mm x 381mm	From whose perspective ?, 2016 Sumi on paper 279mm x 381mm
Untitled, 2015 Sumi on paper 279mm x 381mm	Tess (All thoughts considered), 2015 Sumi on paper 279mm x 381mm
Mixed feelings, 2016 Sumi on paper 279mm x 381mm	Mel (Cilantro, parsley, lemon, kelp), 2016 Watercolour and sumi on paper 225mm x 145mm
Half the time, 2014 Screenprint on paper
	Dawn at Rice Lake, 2015 Ink on paper
Scattered in Darkness, 2014 Screenprint	B-O-D-Y, 2014 Ink on paper
A body with no face looking at a face with no body, 2015 Screenprint on t-shirt

Untitled. (Ikimono) Yarrow, rose, soda-fired ceramic, silk, wire 34cm x 26cm x 29cm

Untitled. (Ikimono) Nigella, tea tree, garlic scape, leaves, wood-fired ceramic, velvet, wire 24cm x 22cm x 18cm

Untitled. (Ikimono) Iris stems, tulsi, marigold, soda-fired ceramic, silk, wire 20cm x 20cm x 17cm

Untitled. (Ikimono)
Bean pods, iris, wood-fired ceramic, velvet and wire.
46 cm x 20 cm x 33.5 cm

Everything I am made out of Sea glass, shells, dried weed and soy wax in ceramic frame 26cm x 14.5cm x 1.5cm

Tolerant blossom, 2018 Mandarin peel, weed and soy wax in glazed ceramic frame 21 cm x 18 cm x 1.5 cm	Finding strength, 2018 Onion skin, weed and soy wax in glazed ceramic frame 27 cm x 26 cm x 1.5 cm

Koganecho Artist Residency	Studio in Yokohama, Japan. 2015.
Max Height no.1, 2015 Ceramic 66cm x 25cm x 25cm	Max Height no.2, 2015 Ceramic 66cm x 18cm x 18cm
	Tamago no.1, 2015 Ceramic 23cm x 18cm x 18cm
	Tamago no.2, 2016 Ceramic 26cm x 20cm x 20cm
Tamago no.3, 2016 Ceramic 29cm x 19cm x 19cm
Max Height no.4, 2016 Ceramic 64cm x 17cm x 17cm	Max Height no.3, 2016 Ceramic 64cm x 30cm x 14cm
Hotate no.1, 2015 Ceramic 44cm x 37cm x 10cm	Hotate no.2, 2016 Ceramic 46cm x 34cm x 22cm
	Flower I, 2016 Ceramic and Acrylic 53cm x 37cm x 5cm
	Max Height no.7, 2016 Ceramic 56cm x 20cm x 16cm
Koganecho Artist Residency
	Max Height no.5, 2016 Ceramic 61cm x 29cm x 13cm
	Max Height no.6, 2016 Ceramic 66cm x 21cm x 20cm
	2015 Shigaraki Ceramic Cultural Park
	Tamago no.4, 2016 Ceramic 34cm x 24cm x 24cm
	Matteiru Tori, 2016 Ceramic 58cm x 18cm x 18cm
	Slow and steady, 2016 Ceramic 20cm x 22cm x 11cm
Form no.2 - Capacity for new love, 2016 Ceramic 72cm x 34cm x 16cm	Form no.3 - Starburst Leaf, 2016 Ceramic 52cm x 18cm x 12cm
	Form no.4 - Equinox, 2016 Ceramic 54cm x 25cm x 10cm
	Tamago no.5, 2016 Ceramic 33cm x 25cm x 25cm
Flower II, 2016 Ceramic
Studio in Shigaraki, Japan. 2016

Tending to the Weeds, 2024.
Varied Edition of 48
Unique plant specimen, d.i.y herbarium label,
pasted label, cardboard box.
57mm x 40mm x 32mm

Carefully collected in the dormant month of February from the neglected roadside of Toronto, the specimens represent the complex plant communities in our environment. While certain plants are considered undesirable, every species is entangled with the local ecology and influences the region's biodiversity. Tending to the Weeds initiates a relationship between the viewer and the plant, allowing the specimen’s features to be studied and examined under care. The multiple, in a varied edition of 48, points the viewers back to the environment where we can meet the whole plant in its habitat, notice the broader and ever-changing networks they are part of and challenges us to carefully rethink our shared futures. In the process of understanding our relations, may our observations alter our fear of migration and the unknown? Before the immediate removal of one, may we pause and consider why it is present in the first place?






Bodies of Water, 2023.
Edition of 50
Glazed stoneware, rubber-stamped
and risograph on paper, cardboard box.
6.2 x 4.5 x 1.6 cm, 20pp

Bodies of Water is inspired by the delicate and timeless relationship between freshwater mussels and the health of our waterways. Often referred to as ‘living rocks,’ freshwater mussels play an essential role in quietly filtering our rivers. Today, nearly half of the world’s freshwater mussels are listed as imperilled. This rapid population decline reflects habitat alteration, pollution and the loss of fish hosts. The book, a small object with ceramic shell-like covers, is held together by intricate butterfly-shaped accordion folds. Within these pages, plankton, algae, and detritus flow against the backdrop of moving waters, around and through the bivalve. Through its nonlinear form, the accordion bookwork illustrates all bodies of water as a connected entity. It emphasizes the impact of water health on the ecology that freshwater mussels depend on to survive.

(more info)






Multiple potatoes, 2023.(more info)
Edition of 30.
Rubber-stamped cardboard box, local organic potato.
5.6 x 5.4 x 4.2 cm.










Tortoise Egg
2022 Gattuso Edition (more info)
Glazed ceramic, printed insert, cardboard box
8 × 5.3 × 5.2 cm






Flowers from a Distance, 2017. (more info)
Alicia Nauta and Eunice Luk
10" x 8", 32 p.






Squished Earth, 2017. (more info)
14" x 14"






A body with no face looking at a face with no body, 2015 (more info)
Screenprinted T-shirt.






ゆにす (more info)
Functional ceramics label.
Handbuilt and glazed.

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