Eunice Luk     Info


Paintings
Sculptures
Exhibitions
Editions



Squirrel's dance, 2022
Ceramic and Acrylic Gouache
16cm x 15cm x 1cm



Sprouting, 2022
Ceramic and Acrylic Gouache
15.3cm x 12.7cm x 1cm

Sun's return, 2022
Ceramic and Acrylic Gouache
12.7cm x 7.6cm x 1cm



Slumber in the soil, 2022
Ceramic and Acrylic Gouache
17.8cm x 12.7cm x 1cm

Flutter, 2022
Ceramic and Acrylic Gouache
12cm x 15.3cm x 1cm



Watering tree, 2022
Ceramic and Acrylic Gouache
12.7cm x 10.2cm x 1cm

Beneath the leaf, 2022
Ceramic and Acrylic Gouache
16cm x 17.2cm x 1cm



Distance and time, 2016
Ceramic and Acrylic Gouache
55cm x 41cm x 1cm








Light form, 2016
Ceramic and Acrylic Gouache
44cm x 44cm x 1cm



Window of hesitation, 2016
Ceramic and Acrylic Gouache
38cm x 32cm x 1cm




Usagi, 2016
Ceramic and Acrylic Gouache
38cm x 33cm x 1cm




Cast a shadow, 2016
Ceramic and Acrylic Gouache
40cm x 30cm x 1cm




Meditative calm, sadness and reflection I, 2016
Ceramic and Acrylic Gouache
47cm x 31cm x 1cm




Meditative calm, sadness and reflection II, 2016
Ceramic and Acrylic Gouache
43cm x 30cm x 1cm




Meditative calm, sadness and reflection III, 2016
Ceramic and Acrylic Gouache
40cm x 30cm x 1cm




Chains, 2016
Ceramic and Acrylic Gouache
50cm x 48cm x 1cm








All thoughts considered, 2016 (Detail)
Ceramic and Acrylic Gouache
53cm x 48cm x 1cm



All thoughts considered, 2016
Ceramic and Acrylic Gouache
53cm x 48cm x 1cm



Personal effects I, 2016
Ceramic and Acrylic Gouache
48cm x 40cm x 1cm





Personal effects I, 2016 (Detail)
Ceramic and Acrylic Gouache
48cm x 40cm x 1cm



From whose perspective ?, 2016 (Detail)
Ceramic and Acrylic Gouache
58cm x 46cm x 1cm



From whose perspective ?, 2016
Ceramic and Acrylic Gouache
58cm x 46cm x 1cm



Equation for pet lizards, 2015
Sumi on paper
279mm x 381mm



Personal effects II, 2015
Sumi on paper
279mm x 381mm



Untitled, 2015
Sumi on paper
279mm x 381mm



Contour Study no.1, 2016
Watercolour and sumi on paper
300mm x 400mm



Flamingo's maze, 2015
Sumi on paper
279mm x 381mm



Formed by hand and sight, 2015
Sumi on paper
279mm x 381mm



Personal effects I, 2015
Sumi on paper
279mm x 381mm



Silent love songs, 2015
Sumi on paper
279mm x 381mm



Contour Study no.2, 2016
Watercolour and sumi on paper
300mm x 400mm



Portrait, 2016
Screenprint on paper
60cm x 46cm



Potion, 2015
Sumi on paper
279mm x 381mm



Big cat takes a rest, 2014
Sumi on paper
279mm x 381mm



From whose perspective ?, 2016
Sumi on paper
279mm x 381mm



Untitled, 2015
Sumi on paper
279mm x 381mm



Tess (All thoughts considered), 2015
Sumi on paper
279mm x 381mm







Mixed feelings, 2016
Sumi on paper
279mm x 381mm



Mel (Cilantro, parsley, lemon, kelp), 2016
Watercolour and sumi on paper
225mm x 145mm





















Half the time, 2014
Screenprint on paper


Dawn at Rice Lake, 2015
Ink on paper


Scattered in Darkness, 2014
Screenprint




B-O-D-Y, 2014
Ink on paper


A body with no face looking at a face with no body, 2015
Screenprint on t-shirt

















Untitled. (Ikimono)
Yarrow, rose, soda-fired ceramic, silk, wire
34cm x 26cm x 29cm







Untitled. (Ikimono)
Nigella, tea tree, garlic scape, leaves, wood-fired ceramic, velvet, wire
24cm x 22cm x 18cm





Untitled. (Ikimono)
Iris stems, tulsi, marigold, soda-fired ceramic, silk, wire
20cm x 20cm x 17cm





Untitled. (Ikimono)
Bean pods, iris, wood-fired ceramic, velvet and wire.
46 cm x 20 cm x 33.5 cm























Everything I am made out of
Sea glass, shells, dried weed and soy wax in ceramic frame
26cm x 14.5cm x 1.5cm


Tolerant blossom, 2018
Mandarin peel, weed and soy wax in glazed ceramic frame
21 cm x 18 cm x 1.5 cm


Finding strength, 2018
Onion skin, weed and soy wax in glazed ceramic frame
27 cm x 26 cm x 1.5 cm














Koganecho Artist Residency


Studio in Yokohama, Japan. 2015.


Max Height no.1, 2015
Ceramic
66cm x 25cm x 25cm


Max Height no.2, 2015
Ceramic
66cm x 18cm x 18cm




Tamago no.1, 2015
Ceramic
23cm x 18cm x 18cm




Tamago no.2, 2016
Ceramic
26cm x 20cm x 20cm


Tamago no.3, 2016
Ceramic
29cm x 19cm x 19cm




Max Height no.4, 2016
Ceramic
64cm x 17cm x 17cm


Max Height no.3, 2016
Ceramic
64cm x 30cm x 14cm




Hotate no.1, 2015
Ceramic
44cm x 37cm x 10cm


Hotate no.2, 2016
Ceramic
46cm x 34cm x 22cm


Flower I, 2016
Ceramic and Acrylic
53cm x 37cm x 5cm






Max Height no.7, 2016
Ceramic
56cm x 20cm x 16cm


Koganecho Artist Residency




Max Height no.5, 2016
Ceramic
61cm x 29cm x 13cm




Max Height no.6, 2016
Ceramic
66cm x 21cm x 20cm


2015 Shigaraki Ceramic Cultural Park








Tamago no.4, 2016
Ceramic
34cm x 24cm x 24cm


Matteiru Tori, 2016
Ceramic
58cm x 18cm x 18cm


Slow and steady, 2016
Ceramic
20cm x 22cm x 11cm










Form no.2 - Capacity for new love, 2016
Ceramic
72cm x 34cm x 16cm


Form no.3 - Starburst Leaf, 2016
Ceramic
52cm x 18cm x 12cm




Form no.4 - Equinox, 2016
Ceramic
54cm x 25cm x 10cm




Tamago no.5, 2016
Ceramic
33cm x 25cm x 25cm


Flower II, 2016
Ceramic




Studio in Shigaraki, Japan. 2016
















Tending to the Weeds, 2024.
Varied Edition of 48
Unique plant specimen, d.i.y herbarium label,
pasted label, cardboard box.
57mm x 40mm x 32mm

Carefully collected in the dormant month of February from the neglected roadside of Toronto, the specimens represent the complex plant communities in our environment. While certain plants are considered undesirable, every species is entangled with the local ecology and influences the region's biodiversity. Tending to the Weeds initiates a relationship between the viewer and the plant, allowing the specimen’s features to be studied and examined under care. The multiple, in a varied edition of 48, points the viewers back to the environment where we can meet the whole plant in its habitat, notice the broader and ever-changing networks they are part of and challenges us to carefully rethink our shared futures. In the process of understanding our relations, may our observations alter our fear of migration and the unknown? Before the immediate removal of one, may we pause and consider why it is present in the first place?






Bodies of Water, 2023.
Edition of 50
Glazed stoneware, rubber-stamped
and risograph on paper, cardboard box.
6.2 x 4.5 x 1.6 cm, 20pp

Bodies of Water is inspired by the delicate and timeless relationship between freshwater mussels and the health of our waterways. Often referred to as ‘living rocks,’ freshwater mussels play an essential role in quietly filtering our rivers. Today, nearly half of the world’s freshwater mussels are listed as imperilled. This rapid population decline reflects habitat alteration, pollution and the loss of fish hosts. The book, a small object with ceramic shell-like covers, is held together by intricate butterfly-shaped accordion folds. Within these pages, plankton, algae, and detritus flow against the backdrop of moving waters, around and through the bivalve. Through its nonlinear form, the accordion bookwork illustrates all bodies of water as a connected entity. It emphasizes the impact of water health on the ecology that freshwater mussels depend on to survive.

(more info)






Multiple potatoes, 2023.(more info)
Edition of 30.
Rubber-stamped cardboard box, local organic potato.
5.6 x 5.4 x 4.2 cm.










Tortoise Egg
2022 Gattuso Edition (more info)
Glazed ceramic, printed insert, cardboard box
8 × 5.3 × 5.2 cm






Flowers from a Distance, 2017. (more info)
Alicia Nauta and Eunice Luk
10" x 8", 32 p.






Squished Earth, 2017. (more info)
14" x 14"






A body with no face looking at a face with no body, 2015 (more info)
Screenprinted T-shirt.






ゆにす (more info)
Functional ceramics label.
Handbuilt and glazed.















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